This is a live stream recording of the VCFA Songwriter’s Festival concert on 12 February 2016, with me singing my original country-and-western song Don’t Give Up on Me (accompanied by a few talented friends).
I wrote this for my wife, who had to put up with me travelling to remote work locations every week for a few years before I retired.
This is a string transcription of my piano piece, Parody of Eric Satie’s Gymnopedie #1 (in this case, “Parody of” means “Homage to”).I thought this might work well for string ensemble.
Scored for: instrumentation of these excerpts includes solo instruments, percussion, synthesizers, and studio orchestra (with additional sound design)
This is a ten-minute collection of scenes from films, TV shows, commercials, and video games that I have re-scored*. All of the short films can be found in the “Film Scores” section of my website here.
In a hurry? Listen to a one-minute audio-only sampler of media scores here.
This is a scene from Alfred Hitchcock’s film Vertigo (1958) that I’ve rescored for piano and strings. Jimmy Stewart’s character (at the bar) is getting his first glimpse of Kim Novak’s character (at the table) while she is dining with her husband. Jimmy’s character is a private investigator who has been hired by the husband to surreptitiously follow Kim’s character, because she has been behaving suicidally.
The location reminded me of a restaurant in Brooklyn, NY, where my wife and I dined several times, complete with a pianist playing in a corner, and plush surroundings. So I staged the score with a pianist improvising a jazz piece as background music, then introduced the strings for Kim’s character.
I was able to capture some of the background sound effects during quiet moments in the scene, which I’ve included behind my rescore.
I reworked original themes I wrote in the early 1970s into a romantic trio.
This is a live 2012 video featuring Robyn Olichwier (flute), Sarah Walters (alto flute), and Christopher Alexander (guitar), recorded in concert at Shenandoah University. The video is from a cellphone in the audience, but the audio track was professionally recorded.